Saturday, December 17, 2011

The Structure of WATERSPELL

I’m about to settle down with the manuscript of WATERSPELL Book 3: The Wisewoman to make my final revisions and get it ready for a Spring 2012 release. While sorting my notes, I found a triangle I had sketched as a visual summary of how the trilogy is structured.


At the base—that is, at the bottom tip of this downward-pointing triangle—we find The Wisewoman: she who is the instigating character, the one who gets the ball rolling.

The upward-sloping left leg of the triangle represents Book 1: The Warlock. The wisewoman (Megella, pronounced Meg-Ella) sends Carin off on her quest, then remains in the background as that initial part of the story unfolds.

The top line of the structure represents Book 2: The Wysard. In this, the middle segment, Carin and Verek continue the quest, with Megella deep in the background, barely mentioned. As depicted in this little diagram of mine, during Book 2 Megella is visually and literally removed from the main action.

It’s in Book 3: The Wisewoman that Megella comes into her own. The rightmost leg of the triangle takes us back toward the beginning, back toward the woman who started things moving in the first place. In Book 3, Meg steps into the foreground, joining Carin and Verek and taking a prominent role as they conclude the quest.


The fascinating thing is: A downward-pointing triangle is the alchemical symbol for water! Get it? WATER-SPELL?

You might think I must have fully understood this structure before I began writing. But no: It only came into focus when I was deep into the writing of Book 3.

Something tells me, however, that the wisewoman has always seen how things connect. From the beginning, she’s been aware of her place at the core of the whole complex framework.

Wednesday, December 14, 2011

A Glossary of Good Old Words

“The difference between the almost-right word and the right word is really a large matter—it’s the difference between the lightning bug and the lightning. ... A powerful agent is the right word. Whenever we come upon one of those intensely right words in a book or a newspaper the resulting effect is physical as well as spiritual, and electrically prompt.”
—Mark Twain

“Short words are best and the old words when short are best of all.”
—Winston Churchill

“In the expression of the emotions originality merits the first consideration.... The words used, however, should be old ones.”
—Fujiwara no Teika (1162-1241)

Finding the right words for WATERSPELL—words with the flavor of medieval speech and the patina of age on them; words possessing the virtue of brevity—became a great treasure hunt, luring me into hundred-year-old dictionaries, enriching me with the troves of golden synonyms that make English such a versatile tongue, and delighting me with the color and variety of the language as it once was used. Here is a glossary of terms from the trilogy that you may find as intriguing, in their unfamiliarity or their long history, as I did.

Key: Where possible, I’ve told what sort of word or phrase it is (dialectal English, old slang, archaic, chiefly Scottish, etc.) or named the date or the century of its origins in English (14c, etc.). Terms from the fictitious Ladrehdinian language (Lad) are boldface and italic, and you’ll just have to take my word that they mean what I say they do.

“You can be a little ungrammatical if you come from the right part of the country.”
—Robert Frost

arrah: Irish expression of surprise or excitement

bannock: a flat bread or cake of oatmeal or barley meal (British Celtic, before 1000)

bantling: a very young child (16c)

bedizened: dressed or adorned gaudily (1661)

betony: a plant of the mint family, used in medicine and dyeing (before 1000)

bindweed: a twining plant (vine) that wraps around and strangles whatever it grows upon (16c)

blackguard: scoundrel, villain (16c)

blackheart: warlock, witch, wizard or wysard, sorcerer (Lad)

blencathar: blind cave salamander (Lad)

bloodguilt: guilt resulting from bloodshed (16c)

bowstring: to strangle with the string of an archer's bow (14c)

bray: to crush or grind, as seeds in a mortar (14c)

buskins: laced boots (16c)

byre: barn (before 12c)

cadger: one who gets what he wants by imposing on another's generosity or friendship (Scots, 13c)

calendula: pot marigold; herb with showy, musky-scented flowers, used medicinally (1789)

callet-fish: cuttlefish (Lad)

caltrop: a device with four metal points so arranged that when any three are on the ground the fourth projects upward as a hazard to the hooves of horses (15c)

cant: lively, lusty (dial Eng, 14c)

cantrip: witch's trick, magic spell (Scot—probably an alteration of "caltrop")

carking: burdensome, annoying (16c)

casque-bug: insect of Lad. with a shape suggestive of a helmet (casque)

chalse: magical shackle or fetter (Lad)

chit: a pert young woman (16c)

clewbird: a bird of Lad. with fluffy feathers that give it a rounded shape suggestive of a ball of yarn (a clew) (before 12c)

cockcrow: dawn (13c)

costrel: a water bottle similar to a canteen, flat on one side to nestle nicely against the body for easy carrying (14c)

cyhnaith: a powdered healing herb, bronze in color and hotter than hell (Lad)

darkling: in the dark; vaguely threatening or menacing (15c)

dhera: a tart, sweet liquor made from currants (Lad)

didnae: didn't (Scots Eng)

farsinchia: netherworld of the damned; the infernal regions; hell (Lad)

faugh: interjection used to express disgust or abhorrence (16c)

fay: fairy, elf (14c)

fetch-life: wraith that fetches the soul of a dying person

feverfew: herb used as a remedy for fever and headache (15c)

fey: fated to die, or marked by an otherworldly air or attitude (Scots, before 12c)

fìleen: a term of endearment (Lad, akin to "filly" and the Irish "colleen" combined)

firedrake: a fire-breathing dragon (before 12c)

firestone: pyrite used for striking fire; flint (before 12c)

firkin: a unit of capacity equal to 1/4 barrel (14c)

firstling: the first of a kind; the first result; first offspring (16c)

footle: talk or act foolishly; waste time (1892)

footling: lacking judgment or ability; lacking use or value; trivial (1897)

forfend: ward off; prevent (14c)

gê: earth, ground (Lad, akin to Greek "geo")

gillie: a (young) male attendant or servant (Scottish Gaelic and Irish, 1705)

glenondew: antacid (Lad)

hell-wain: hell wagon (before 12c)

hyweldda: potion for treating concussion (Lad)

jennet: female donkey (15c)

kitling: young creature (Brit. dial., 13c)

knacker: buyer of worn-out domestic animals or their carcasses to use as animal food or for their hides (1812—probably from Eng. dial. "saddlemaker")

Lake Maidens: Welsh fairies of the underworld, whose entrance to the human world is by the lakes

lathy: thin and narrow like a lath (13c)

lay: a narrative poem (13c)

lurcher: one who lurks; spy (archaic)

Macassar-Oil: an oil used as a hairdressing (1800)

minx: a pert, impudent girl

numbles: animal entrails used as food (13c)

quillwort: a fernlike, aquatic plant with quill-like leaves

ravening: rapacious; voracious (16c)

recto: right-hand page of an open book; on the right-hand leaf

reiver: raider (Scots, before 12c)

savitar: mythical monster similar to a dragon (Lad)

scrag: execute by hanging or garroting; wring the neck of; choke, manhandle; kill, murder (1752)

’scried/’scrying: shortened form of “descried/descrying”—finding out; discovering (14c)

scurf: dandruff (before 12c)

skimble-skamble: rambling or confused; senseless (16c)

slipstone: fine-grained sharpening stone for putting an edge on a knife

smallclothes: underclothes

spade: a unit of length (dimension unknown; this use of the word spade comes from “The Banshee of the MacCarthys,” in Irish Fairy & Folk Tales: “My mother ... asked Leary ... how far we were from Mr. Bourke's? ‘’Tis about ten spades from this to the cross [crossroad], and we have then only to turn to the left into the avenue, ma'am.’”)

span: the distance from the end of the thumb to the end of the little finger of a spread hand; equal to 9 inches (before 12c)

sprat: a small or young fish; by extension, a young, small, or insignificant person

starveling: one who is thin from lack of food (16c)

stone: a unit of weight, equal to 14 lbs. (before 12c)

strap oil, dose of: punishment (old slang, from "a flogging with a strap")

tatterdemalion: a person dressed in ragged clothing (1608)

tench: a freshwater food fish (14c)

trull: loose woman, strumpet (16c)

unchancy: dangerous (Scot—16c)

varlet: a base unprincipled person; knave (15c)

verso: left-hand page of an open book

vetiver: long, fragrant roots of a grass yielding an aromatic oil

wencel: child, girl (Old Eng, giving rise to "wench," 13c)

whiffet: a small, young, or unimportant person

wight: a living being; creature (before 12c)

woad: an herb yielding blue dyestuff from its leaves (before 12c)

woundwort: a plant of the mint family, used medicinally (16c)

Lest enthusiasm run away with me, another line of good advice is:

"In composing, as a general rule, run your pen through every other word you have written; you have no idea what vigor it will give your style."
—Sydney Smith, Lady Holland's Memoir (1855)

Saturday, December 10, 2011


They’re here! The NOOK Book editions of WATERSPELL Books 1 and 2 are now available for download:

Book 1: The Warlock (Nook book) $2.99
Book 2: The Wysard (Nook book) $2.99

Barnes & Noble was kind of slow on the uptake. Amazon has had the Kindle Editions available for many days now:

Kindle Edition—Book 1: The Warlock $2.99
Kindle Edition—Book 2: The Wysard $2.99

Amazon also has the advantage in showing more of the book details, including a synopsis or Book Description of each title. I hope Barnes & Noble will eventually add a Description of each. Heaven knows, I’ve done my best to make the information available, to wit:

Drawn into the schemes of an angry wizard, Carin glimpses the place she once called home. It lies upon a shore that seems unreachable. To learn where she belongs, and how to get there, the teenage traveler must decipher the words of an alien book, follow the clues in a bewitched poem, conjure a dragon from a pool of magic—and tread carefully around a seductive but volatile, emotionally scarred sorcerer who can’t seem to decide whether to love her or kill her.

After blundering into the last stronghold of magic, Carin discovers that she is right to fear the wizard Verek. He is using her to seal the ruptures in the void, and she may be nothing more to him than an expendable weapon. What will he do with her—or to her—when his world is again secure? Or has he erred in believing that the last bridge has been broken? The quest may not, in fact, be over … and Lord Verek may find himself not quite as willing to dispose of his fiery water-sylph, Carin, as he once believed himself to be.

Author Kathy Lay has posted an insightful interview with author and bookseller Cerelle Woods. Cerelle says: “There’s just nothing better than seeing a kid come in with that light in their eyes, on FIRE about an author or a series. The truth is that it’s usually a series. … Kids love series … love to keep reading about their favorite characters.”

Ah, yes. I remember my own childhood adoration of Madeleine L’Engle, Andre Norton, and Jim Kjelgaard. I scarfed up everything I could find by them. I also had the complete Trixie Belden series.

I’m still crazy for series. Harry Potter, of course. The Chronicles of Narnia. Anne McCaffrey’s Pern books. The Brother Cadfael books. I could go on for pages. There’s something warmly welcoming about a series, where you know the characters and a lot of their backstory. And as the series progresses, the reader is often treated to fascinating new details about the characters. Only late in the Brother Cadfael books do we learn the whole story of Cadfael’s life as a soldier and his missed opportunities with the son he didn’t know he had.

Reading a series is like living a life. Short stories? Not my favorite—they’re over too quick. Give me a long series of long, intricate books—with a cup of good coffee in hand—and I’ll rate myself among the happiest people on the planet.

Thank you, Kathy and Cerelle, for the interview. Good job, good information.